Post by shaxper on Jul 10, 2002 12:09:30 GMT -5
Cnn.com conducted an interview with Bob Smith on his new Shakespeare memoire. Here's the actual article, for anyone interested:
William Shakespeare saves a life
Bob Smith talks of the Bard in 'Hamlet's Dresser' memoir
July 10, 2002 Posted: 10:34 AM EDT (1434 GMT)
By Todd Leopold
CNN
(CNN) -- Literary historians generally divide William Shakespeare's dramatic output into four categories: comedies, tragedies, histories, and "problem" plays.
The latter, works such as "Measure for Measure" and "All's Well that Ends Well," are referred to as such because they are darker in tone than the comedies and don't come to neat resolutions.
Those are the works that Bob Smith likes best.
"They seem more like real life to me," says Smith, author of the memoir "Hamlet's Dresser" (Scribner), in a phone interview from his home in Stratford, Connecticut. "I like that. ... Sometimes the more psychological plays are more interesting to do with people."
Smith does Shakespeare with people a lot, but he doesn't perform the works, nor does he direct his charges -- often senior citizens at various New York classrooms and facilities -- as amateur actors putting on a show.
Instead, he approaches Shakespeare like an apostle, a missionary, and walks his audience through, line by line, helping them understand the poetry and meaning of the Bard's words.
"I do it for me, not for them," he says.
And, as he makes clear in "Hamlet's Dresser," he means every word, because Bob Smith has been holding onto Shakespeare's sturdy lines all his life.
'A beautiful place to hide'
MORE STORIES
Bob Smith on how to approach the Bard
RESOURCES
Excerpt: 'Hamlet's Dresser'
NOTE: Page will open in a new browser window.
In a vivid prose, "Hamlet's Dresser" recalls his early childhood in southern Connecticut and a life entwined with the Bard.
Smith was born in 1941; three years later, he gained a sister, Carolyn. In the vernacular of the time, Carolyn was "not right."
The family didn't handle the little girl's developmental disability, and the challenges it brought, with ease. Smith's mother started pathologically cleaning the house; his father joined the Army for a time, then returned to his uneasy marriage. Young Bob took refuge when he could with his grandparents and, soon, at the library.
It was there one rainy day that he opened "The Merchant of Venice" quite by chance and read the opening line: "In sooth I know not why I am so sad."
Suddenly, Smith writes, "Shakespeare was like staring at the religious calendars or the Latin Mass. Poetry became a beautiful place to hide from my life and from my parents, a place I knew they'd never follow me to."
William Shakespeare saves a life
Bob Smith talks of the Bard in 'Hamlet's Dresser' memoir
July 10, 2002 Posted: 10:34 AM EDT (1434 GMT)
By Todd Leopold
CNN
(CNN) -- Literary historians generally divide William Shakespeare's dramatic output into four categories: comedies, tragedies, histories, and "problem" plays.
The latter, works such as "Measure for Measure" and "All's Well that Ends Well," are referred to as such because they are darker in tone than the comedies and don't come to neat resolutions.
Those are the works that Bob Smith likes best.
"They seem more like real life to me," says Smith, author of the memoir "Hamlet's Dresser" (Scribner), in a phone interview from his home in Stratford, Connecticut. "I like that. ... Sometimes the more psychological plays are more interesting to do with people."
Smith does Shakespeare with people a lot, but he doesn't perform the works, nor does he direct his charges -- often senior citizens at various New York classrooms and facilities -- as amateur actors putting on a show.
Instead, he approaches Shakespeare like an apostle, a missionary, and walks his audience through, line by line, helping them understand the poetry and meaning of the Bard's words.
"I do it for me, not for them," he says.
And, as he makes clear in "Hamlet's Dresser," he means every word, because Bob Smith has been holding onto Shakespeare's sturdy lines all his life.
'A beautiful place to hide'
MORE STORIES
Bob Smith on how to approach the Bard
RESOURCES
Excerpt: 'Hamlet's Dresser'
NOTE: Page will open in a new browser window.
In a vivid prose, "Hamlet's Dresser" recalls his early childhood in southern Connecticut and a life entwined with the Bard.
Smith was born in 1941; three years later, he gained a sister, Carolyn. In the vernacular of the time, Carolyn was "not right."
The family didn't handle the little girl's developmental disability, and the challenges it brought, with ease. Smith's mother started pathologically cleaning the house; his father joined the Army for a time, then returned to his uneasy marriage. Young Bob took refuge when he could with his grandparents and, soon, at the library.
It was there one rainy day that he opened "The Merchant of Venice" quite by chance and read the opening line: "In sooth I know not why I am so sad."
Suddenly, Smith writes, "Shakespeare was like staring at the religious calendars or the Latin Mass. Poetry became a beautiful place to hide from my life and from my parents, a place I knew they'd never follow me to."