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Post by shaxper on May 29, 2002 9:19:12 GMT -5
Sequels are difficult to write. Whether in books (Marion Zimmer Bradley's "Mists of Avalon" series, C.S. Lewis' "Out of the Silent Planet" series), films (The Never Ending Story, the new Star Wars films, Ghostbusters) etc., sequels often fall short of the originals, even when written by the same author.
Then I think of Shakespeare. I won't dispute that the man is a genius, but look at his Histories sequels. Richard III is far better loved than Henry VI. Henry IV and V carefully play upon the themes set down in Richard II, and most would argue that they also outdo the original. Was Shakespeare simply that good with sequels, or did he plan them in advance? Did he write Richard II knowing that he's culminate with Henry V? Maybe he wanted to write Henry V all along and simply back-tracked to Richard II so as to lay more thematic groundwork? After all, if he was simply that good with sequels, how come no one ever speaks highly of The Merry Wives of Windsor?
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N.N.W
Money Lender
Posts: 35
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Post by N.N.W on May 29, 2002 9:36:23 GMT -5
[glow=red,2,300] The histories are all kinda tricky - you must remember that they are propoganda pieces - written with the express purpose of flattering the reigning monarch - with most sequals, you are trying to capitalise on a previous success - with the Histories, they are just that! As his writing improved, his sequals could only get better! [/glow]
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Post by shaxper on May 29, 2002 9:45:55 GMT -5
I'm not sure I fully agree with you on that one. Shakespeare had to be careful to flatter the monarchy in writing his histories (or else lose his head), but the histories came about as a popular genre largely as the result of four factors unique to Renaissance England:
1. Because there were no copyrights at the time, and because "fiction" was not yet a definable and understood genre of writing, most plots were outright stolen or heavily borrowed from other stories. 2. There were many theatre companies performing many plays, so recycled stories were getting used up quickly. 3. The Theatre companies were working fast, demanding their playwrights to perform in one play while rehersing for a second one and writing at the same time, making it difficult to sit down and create new stories that would draw and satisfy a large and diverse crowd. 4. The Nationalistic hype that Elizabeth engineered after the defeat of The Spanish Armada made people proud of, and curious about, England's history.
Thus, playwrights probably found that it was easy to recycle an account from Hollinshed that would attract and please entire crowds. If these plays had been wrtten specifically to please the court, they would have been performed in court, and Shakespeare certainly wouldn't have written a deposition scene for Richard II.
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